1982-03-09 New Theatre

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Concert Information

Bootleg Information

Tracklist

CD 1

  1. Murders In The Rue Morgue (3:59)
  2. Wrathchild (2:58)
  3. Run To The Hills (4:14)
  4. Children Of The Damned (4:50)
  5. The Number Of The Beast (4:35)
  6. Another Life (3:44)
  7. Killers (4:56)
  8. 22, Acacia Avenue (6:53)
  9. Total Eclipse (4:06)
  10. Running Free (3:13)

CD 2

  1. Drum Solo (1:39)
  2. Transylvania (5:28)
  3. The Prisioner (5:43)
  4. Hallowed Be Thy Name (6:44)
  5. Phantom Of The Opera (7:05)
  6. Iron Maiden (4:00)
  7. Sanctuary (4:04)
  8. Drifter (7:57)
  9. Prowler (4:12)


Notes

Taper and equipment

Quality

Quality: 3-

Frequency Analysis

Total Eclipse



MP3 Sample

Total Eclipse - 30 sec/128 kbps (about MP3 Samples)


Bootleg Information - smiler40

Tracklist

CD 1 (41:35)

  1. Murders In The Rue Morgue 4:26
  2. Wrathchild 3:31
  3. Run To The Hills 4:19
  4. Children Of The Damned 4:34
  5. The Number Of The Beast 5:04
  6. Another Life 3:42
  7. Killers 5:28
  8. 22 Acacia Avenue 6:38
  9. Total Eclipse 3:53

CD 2 (51:18)

  1. Drum Solo 1:41
  2. Transylvania 3:43
  3. Guitar Solo 1:49
  4. The Prisoner 5:45
  5. Hallowed Be Thy Name 7:10
  6. Phantom Of The Opera 6:46
  7. Iron Maiden 4:07
  8. Sanctuary 3:53
  9. Drifter 8:34
  10. Running Free 3:35
  11. Prowler 4:14

Taper and equipment

  • Recorded By: smiler40
  • Lineage: Aiwa mic > Aiwa walkman recorder > cassette master >
  • Playback on Pioneer CT-S550S > Sony JE530 A/D (44.1k) > Nomad JB3 >
  • .wav > Adobe Audition > .wav > CDWAV > FLAC frontend > .flac files
  • Note: The Sony JE530 is a minidisc recorder, however
  • a pure digital output is available when using it as a
  • "passthrough" device. Therefore, despite the presence
  • of a minidisc device in this lineage there is no MD/
  • ATRAC compression.

Taper Notes

  • Editing:
  • The tape was stopped, or paused at the following points:
  • (A). After Total Eclipse (tape flip)
  • (B). After Iron Maiden (probably encore break)
  • (C). After Drifter (another encore break, but also a tape flip)
  • (D). After Running Free (presumably another encore break).
  • At each of these points there were significants changes in apparant volume
  • (due to the nature of automatic level control, as used in the recorder).
  • Also, usually there were additional artifacts (for instance very brief
  • drop-outs, or "thumps" caused by the magnet that served as an erase head).
  • I used bass filters, amplitude adjustments and cross-fading to smooth out
  • at all of these discontinuities except for (A) - the first tape flip.
  • The right channel was slightly under-recorded compared to the left, and
  • I adjusted the amplitude as follows:
  • First 45 mins:
  • Left channel + 1db
  • Right channel + 2.5db
  • Remainder:
  • Left channel (no adjustment)
  • Right channel + 1db